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Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails.,

“But there aren’t any deer,” the little girl objected. “What will you do for,

St. Elmo clapped his tiny hands and asked for “Moah,” while Norah Bliggins, who had been almost petrified when she heard the voice of Mrs. Wopp, sat hoping no one would ask her for the golden text. She was devoutly thankful that she could get up from her cramped position. A wide lath in the upturned box which served as her seat had broken and she had sunk deeper and deeper until her chubby chin and knees were in close proximity. It required the united efforts of Maria and Betty to extricate the unfortunate child. The doll was safe, however, and with fortitude worthy of emulation still smiled although sawdust again trickled from her re-opened wound. Henry started up a lusty crowing and Moses began to whistle while Betty uncovered the windows and made other preparations for leaving the loft. Several of her pictures had been spoiled by the rain and the box reduced to a soft pulpy mass.,

“Now, Mosey, you like the new teacher’s well’s I do, else why were you showin’ off before her, ridin’ Ladybird like mad.”

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“O mother, how can there be joy if life is all work and never any fun?” He took her hand and pressed it against his cheek.,

“For three days an’ three nights there was no sleep fer his eyes nor slumber fer his eyelets.”,

How the missionary box would jingle! How the heathen would sing for joy! While on the Wopp table carrot pudding could become a diurnal felicity!,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.